Audiophile Music Computer Sound Box
author: Ada Wu
2022-12-27
2.0 GAMING SPEAKER｜ 2.1 GAMING SPEAKER｜ GAMING SOUNDBAR｜ GAMING HEADSET
Does the stereo burn people or people burn the stereo ?
In the 1980s, the term "audiophile" was introduced into the mainland from Hong Kong and Taiwan to describe those who are fascinated by playing audio.
I always think that "enthusiast" is a derogatory word with ironic meaning, but it has been used as a commendatory word by many people to this day. Later, "record enthusiasts" came into being. "Enthusiasts" soon became popular in other fields of interest, such as "camera enthusiasts", "car enthusiasts", and so on.
It is normal and good for a person to show a special obsession with something he is interested in. However, obsession is divided into rational obsession and irrational obsession. "Fever" belongs to irrational obsession.
In foreign countries, enthusiasts are usually described by the word maniac, which means they are infatuated with something and behave in a bad way. While fanatical fans use enthusiasm, which means they are infatuated with something, and their passion is burning to the extreme, but it is still rational.
The English equivalent of "audiophile" means "audiophile", referring to the person who loves audio pc speakers for gaming music. In fact, this word is not accurate. Audiophile can refer to anyone who is sensitive to sound and likes to study sound, including those who play with sound (especially those who play with sound now). If you are a sound expert specializing in sound research, it is acoustic science or acoustic engineer.
The English word corresponding to the Chinese "audio enthusiast" is stereophile (a commendatory word), which refers specifically to those who love audio. It is more accurate than audiophile and corresponds to philharmonic. Neither audiophile nor stereophile has a derogatory meaning. The Chinese term "enthusiast" refers to a person who is irrationally obsessed with something. That "audiophile" is what foreigners often call Stereomaniacs or Stereophile maniacs.
In my opinion, the so-called "audio enthusiasts" refer to those who do not understand audio knowledge and have no patience to learn common sense about audio, but just blindly follow the trend and spend money playing with audio. They either follow the crowd or stick to their own ideas. Its behavioral characteristics are:
(1) Listen to the stereo through music. Music is a software tool to help them play with sound effects. They determine whether one or a set of audio equipment is good or not, mainly depending on how the audio equipment can replay this or that record, and look for imaginary sound effects that are or are not in the record. They don't have the patience to listen to a record quietly and completely. They only listen to the sound effect fragments, and only listen to a few or a certain type of records, but also listen to the fragments.
(2) From the sound playing, when listening to singing, you should hear the sound of saliva, when listening to the piano, you should hear that the hammer on the piano string player has the "texture" of tapping in your ear, when listening to the violin playing, you should listen to the friction sound between the bow hair and the strings, and pursue the physiological response caused by this - illusion to smell the pine fragrance. When listening to brass band music, you should hear that the olfactory organ smells the smell of copper, and when listening to percussion music, you should hear that the body has the illusion of pain caused by being knocked, etc.
When describing equipment and records, such enthusiasts often use words such as "pine fragrance", "drool sound" and "bronze stink", which are neither sound terms nor musical terms. This kind of audiophile is very extreme and stubborn in judging things.
Once they meet people who disagree with their own views, they will be excited to argue, or even fall over because of the argument. Or blindly follow a fever celebrity in a fever circle, and the celebrity will listen to whatever he listens to. Or blindly follow the "bible fever" books and the like, and play and listen to the stereo according to the God's instructions in the books.
Taiwan's Liu Hansheng is an audiophile who is sought after by audiophiles. Liu is neither an expert in designing, producing and researching audio, nor a musician or a person who has deep research on music. He is a person who plays with equipment a lot (not his own equipment) and listens to records a lot. His language of introducing equipment and records is very hot, so he is regarded as a hot idol pursued by enthusiasts.
This is the behavior of enthusiasts in pursuit of enthusiasts, and it is Liu Hansheng's business. So many people spend money to buy his feeling of playing computer speakers loud and listening to music. Playing stereo, listening to sound box and listening to music are very personal hobbies. The fun lies in feeling and discovering yourself, rather than spending your time and money copying others' feelings.
For such irrational behavior, the word "fever" is really accurate, because people with high fever will talk nonsense. In the same way, a person's fever of thinking and behavior will also lead to extreme and stubborn behavior, which makes it difficult to communicate with others.
They can only seek common ground, but not differences. This is called fever behavior. It is very difficult for such radical enthusiasts to go to live concerts.
They all like to stay at home and listen to the sound. The standard for good sound is often based on the sound effect of another set of sound, rather than the sound effect of live concerts without power. Listening to a record is also based on a record, rather than the live performance.
Healthy audio enthusiasts (players) are calm, rational and knowledgeable people. They know about audio and how to use audio equipment.
Many of these audio players can make their own audio equipment and at least debug a set of expensive or inexpensive audio equipment to achieve the best audio performance.
They check whether a set of sound is good or bad to see whether it can show the musical appeal of a record, or reproduce the appeal of live performance to the maximum extent. This kind of audio player basically likes to listen to live concerts, and takes the sound effect of live performance as the aesthetic basis for the sound effect of music replay.
Similarly, those who buy records are also divided into philharmonic record collectors and audiophiles. The former basically buys records out of love of music, while the latter buys records in order to express sound.
The former may not care whether the sound effect of the recording is hot because you want to listen to the interpretation of music. In order to listen to the sound effect, the latter requires that the record must have sound effect fever, and even does not care about the price in order to buy the sound effect fever disc.
When music lovers buy a record, they will know a record as a book: from the detailed background introduction of the performer (singer), conductor, orchestra, music, etc., and the interpretation of music, of course, they will also understand the production of recording.
This kind of audio or record lovers will listen to a record patiently and attentively, or even listen to a record repeatedly, or compare and listen to the versions of the same track with different performances (not different recordings), to taste the different artistic aesthetics of the performers.
However, audiophile record consumers care about what technology and how to record, who is the recorder, and the details of recording, while they only have a general understanding of the cultural background and musicians related to music. They pursue sound effects, but have no aesthetic pursuit of music and music.
Hobbies are good things that we should have and must have in life, and they are where the fun of life lies. However, if you lock yourself in all your hobbies, obsess, ignore many other equally important things in life, and lose communication and communication with people, because your hobbies affect your normal life and physical and mental health, it is fever!
That is a forbidden area that I have never advocated and I have always avoided entering by mistake. We should advocate the spirit and passion of fever, but not the behavior of lacking fever. Otherwise, as many people do today, they will not take online chat as an effective information exchange tool, but only be obsessed with screen brushing.
No matter how good the sound reproduction is, it cannot be compared with the excellent live performance listening. No matter how good the record is, it cannot be compared with the excellent live performance.
Listening to records with the help of sound is to eat cans, while listening to live performances is to eat fresh meat, which is essentially different.
To listen to music, whether on the spot or on the record, we should first pursue the appeal of music. The scene or recording without music appeal is lifelike and boring even if you have a fever.
Good sound is helpful to capture and restore vivid live performances, but sound is not equal to the scene, sound is not equal to music, sound is a tool and means, not the purpose of listening to music. We listen to music with the help of sound, rather than listening to sound in music.
If irrational feverish behavior is used to explore a thing rationally and to explore and experience beauty according to the aesthetic law, the gains will be much more than blind feverish behavior.
Whether you are passionate or infatuated must be controlled by reason, and you can't let irrationality rule your own behavior, blindly follow others, and let others make decisions.
I always think that "enthusiast" is a derogatory word with ironic meaning, but it has been used as a commendatory word by many people to this day. Later, "record enthusiasts" came into being. "Enthusiasts" soon became popular in other fields of interest, such as "camera enthusiasts", "car enthusiasts", and so on.
It is normal and good for a person to show a special obsession with something he is interested in. However, obsession is divided into rational obsession and irrational obsession. "Fever" belongs to irrational obsession.
In foreign countries, enthusiasts are usually described by the word maniac, which means they are infatuated with something and behave in a bad way. While fanatical fans use enthusiasm, which means they are infatuated with something, and their passion is burning to the extreme, but it is still rational.
The English equivalent of "audiophile" means "audiophile", referring to the person who loves audio pc speakers for gaming music. In fact, this word is not accurate. Audiophile can refer to anyone who is sensitive to sound and likes to study sound, including those who play with sound (especially those who play with sound now). If you are a sound expert specializing in sound research, it is acoustic science or acoustic engineer.
The English word corresponding to the Chinese "audio enthusiast" is stereophile (a commendatory word), which refers specifically to those who love audio. It is more accurate than audiophile and corresponds to philharmonic. Neither audiophile nor stereophile has a derogatory meaning. The Chinese term "enthusiast" refers to a person who is irrationally obsessed with something. That "audiophile" is what foreigners often call Stereomaniacs or Stereophile maniacs.
In my opinion, the so-called "audio enthusiasts" refer to those who do not understand audio knowledge and have no patience to learn common sense about audio, but just blindly follow the trend and spend money playing with audio. They either follow the crowd or stick to their own ideas. Its behavioral characteristics are:
(1) Listen to the stereo through music. Music is a software tool to help them play with sound effects. They determine whether one or a set of audio equipment is good or not, mainly depending on how the audio equipment can replay this or that record, and look for imaginary sound effects that are or are not in the record. They don't have the patience to listen to a record quietly and completely. They only listen to the sound effect fragments, and only listen to a few or a certain type of records, but also listen to the fragments.
(2) From the sound playing, when listening to singing, you should hear the sound of saliva, when listening to the piano, you should hear that the hammer on the piano string player has the "texture" of tapping in your ear, when listening to the violin playing, you should listen to the friction sound between the bow hair and the strings, and pursue the physiological response caused by this - illusion to smell the pine fragrance. When listening to brass band music, you should hear that the olfactory organ smells the smell of copper, and when listening to percussion music, you should hear that the body has the illusion of pain caused by being knocked, etc.
When describing equipment and records, such enthusiasts often use words such as "pine fragrance", "drool sound" and "bronze stink", which are neither sound terms nor musical terms. This kind of audiophile is very extreme and stubborn in judging things.
Once they meet people who disagree with their own views, they will be excited to argue, or even fall over because of the argument. Or blindly follow a fever celebrity in a fever circle, and the celebrity will listen to whatever he listens to. Or blindly follow the "bible fever" books and the like, and play and listen to the stereo according to the God's instructions in the books.
Taiwan's Liu Hansheng is an audiophile who is sought after by audiophiles. Liu is neither an expert in designing, producing and researching audio, nor a musician or a person who has deep research on music. He is a person who plays with equipment a lot (not his own equipment) and listens to records a lot. His language of introducing equipment and records is very hot, so he is regarded as a hot idol pursued by enthusiasts.
This is the behavior of enthusiasts in pursuit of enthusiasts, and it is Liu Hansheng's business. So many people spend money to buy his feeling of playing computer speakers loud and listening to music. Playing stereo, listening to sound box and listening to music are very personal hobbies. The fun lies in feeling and discovering yourself, rather than spending your time and money copying others' feelings.
For such irrational behavior, the word "fever" is really accurate, because people with high fever will talk nonsense. In the same way, a person's fever of thinking and behavior will also lead to extreme and stubborn behavior, which makes it difficult to communicate with others.
They can only seek common ground, but not differences. This is called fever behavior. It is very difficult for such radical enthusiasts to go to live concerts.
They all like to stay at home and listen to the sound. The standard for good sound is often based on the sound effect of another set of sound, rather than the sound effect of live concerts without power. Listening to a record is also based on a record, rather than the live performance.
Healthy audio enthusiasts (players) are calm, rational and knowledgeable people. They know about audio and how to use audio equipment.
Many of these audio players can make their own audio equipment and at least debug a set of expensive or inexpensive audio equipment to achieve the best audio performance.
They check whether a set of sound is good or bad to see whether it can show the musical appeal of a record, or reproduce the appeal of live performance to the maximum extent. This kind of audio player basically likes to listen to live concerts, and takes the sound effect of live performance as the aesthetic basis for the sound effect of music replay.
Similarly, those who buy records are also divided into philharmonic record collectors and audiophiles. The former basically buys records out of love of music, while the latter buys records in order to express sound.
The former may not care whether the sound effect of the recording is hot because you want to listen to the interpretation of music. In order to listen to the sound effect, the latter requires that the record must have sound effect fever, and even does not care about the price in order to buy the sound effect fever disc.
When music lovers buy a record, they will know a record as a book: from the detailed background introduction of the performer (singer), conductor, orchestra, music, etc., and the interpretation of music, of course, they will also understand the production of recording.
This kind of audio or record lovers will listen to a record patiently and attentively, or even listen to a record repeatedly, or compare and listen to the versions of the same track with different performances (not different recordings), to taste the different artistic aesthetics of the performers.
However, audiophile record consumers care about what technology and how to record, who is the recorder, and the details of recording, while they only have a general understanding of the cultural background and musicians related to music. They pursue sound effects, but have no aesthetic pursuit of music and music.
Hobbies are good things that we should have and must have in life, and they are where the fun of life lies. However, if you lock yourself in all your hobbies, obsess, ignore many other equally important things in life, and lose communication and communication with people, because your hobbies affect your normal life and physical and mental health, it is fever!
That is a forbidden area that I have never advocated and I have always avoided entering by mistake. We should advocate the spirit and passion of fever, but not the behavior of lacking fever. Otherwise, as many people do today, they will not take online chat as an effective information exchange tool, but only be obsessed with screen brushing.
No matter how good the sound reproduction is, it cannot be compared with the excellent live performance listening. No matter how good the record is, it cannot be compared with the excellent live performance.
Listening to records with the help of sound is to eat cans, while listening to live performances is to eat fresh meat, which is essentially different.
To listen to music, whether on the spot or on the record, we should first pursue the appeal of music. The scene or recording without music appeal is lifelike and boring even if you have a fever.
Good sound is helpful to capture and restore vivid live performances, but sound is not equal to the scene, sound is not equal to music, sound is a tool and means, not the purpose of listening to music. We listen to music with the help of sound, rather than listening to sound in music.
If irrational feverish behavior is used to explore a thing rationally and to explore and experience beauty according to the aesthetic law, the gains will be much more than blind feverish behavior.
Whether you are passionate or infatuated must be controlled by reason, and you can't let irrationality rule your own behavior, blindly follow others, and let others make decisions.
